Posted by PuJa on
Written by Nurel Javissyarqi
Translated by Agus B. Harianto
Mawar,
ah penyangkalan belaka,
gairah pada yang tak terlelap
di sebalik begitu banyak Kelopak mata
(di batu nisan Rilke, 4 Des 1875 – 29 Des 1926).*
Roses,
ah merely denial,
desire to unsleeping
behind so many Eyelids
(on the tombstone of Rilke, December 4, 1875- December 29, 1926,).
History of desire of body’s history has existed since in the mother’s pregnancy, even long before the creation of the earth. (lebih…)
Filed under: Essay, PUstaka puJAngga
Tags: Agus B. Harianto, Essay, Nurel Javissyarqi, PUstaka puJAngga, Rainer Maria Rilke
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Posted by PuJa on
Written by Nurel Javissyarqi
Translated by Agus B. Harianto
Zadie has birth name Sadie Smith, British author who born in northwest of London at October 25, 1975. Zadie’s mother, Yvonne McLean, emigrated from Jamaica to England in 1969, Zadie’s father, Harvey Smith, was the second marriage of her mother. Zadie’s childhood loved dancing. When in teenager Zadie became actress of musical theater, and Zadie’s tuition came from sung the jazz. (lebih…)
Filed under: Essay, PUstaka puJAngga
Tags: Agus B. Harianto, Essay, Nurel Javissyarqi, PUstaka puJAngga, Zadie Smith
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Posted by PuJa on
Written by Nurel Javissyarqi
Translated by Agus B. Harianto
Yasunari Kawabata was born in Osaka June 14, 1899, died in Kamakura, April, 16, 1972. Japanese novelist who through his prose of lyric won Nobel Prize for Literature in 1968. Became orphans at two years old, and then lived with his grandparents. His grandmother died when he was 7 years old, his sister was only once met after the death of his parents, and his sister died when Kawabata at 10 years old, and his grandfather too, when he was 15 years old. He moved to his mother’s family. (lebih…)
Filed under: Essay, PUstaka puJAngga
Tags: Agus B. Harianto, Essay, Nurel Javissyarqi, PUstaka puJAngga, Yasunari Kawabata
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Posted by PuJa on
Written by Nurel Javissyarqi
Translated by Agus B. Harianto
In the Mozart, he said that the heart pours in smooth imagination, whereas in Beethoven, fantasy run with the brave to the endless: that is the fullness of sense opposite with confidence than strength (J. Van Ackere).
We can use both, depends on the psychological when producing the masterpieces, it can be viewed on Mozart when the soul was sucked under events, inhaled the power of charm such as glory of faith. (lebih…)
Filed under: Essay, PUstaka puJAngga
Tags: Agus B. Harianto, Essay, Johann Wolfgang von Goethe, Ludwig van Beethoven, Nurel Javissyarqi, PUstaka puJAngga, Wolfgang Amadeus Mozart
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