Written by Nurel Javissyarqi
Traslated by Agus B. Harianto
I’ve never know my body’s temperature by thermometer. But it can be felt; because it has brought me friendly to go everywhere. Barely a few days I did not write, I just edited the old writing that have not been solid enough with the feet of purity as creations.
How psychiatric is not disengaged from the body’s condition, it can not be ignored from braided digestion as well, which forms the character of determining steps of spiritual and also outer body. (lebih…)
Written by Nurel Javissyarqi
Translated by Agus B. Harianto
Before I got in too far to his works. Frankly, I am disturbed by the spelling of Diponegoro become Dipanegara. Why Bojonegoro is not altered and incarnated to be Bajanegara? An so on. For me, I use its original spelling (: Java) which is Diponegoro, in addition to confirm the last literature exists. Started from the original dialect, its power of prestige can be viewed more strongly, when interpreting a sentence, moreover in composing the work of literature. (lebih…)
Written by Nurel Javissyarqi
Translated by Agus B. Harianto
WAKTU
Ludwig Tieck
Dia ngembara dalam lingkaran abadi dan sama,
Sang waktu, menurut caranya yang lama,
Atas perjalanannya, tuli dan buta;
Anak manusia yang tak malu-malu
Mengharap dari saat yang datang senantiasa (lebih…)
Written by Nurel Javissyarqi
Translated by Agus B. Harianto
Anton Bruckner (September 4, 1824 – October 11, 1896) is Austrian composer known for his symphonies, masses, and the motet. His symphonies considered as the final phase marker of Austro-German Romanticism. Because of his harmonies are rich, and polyphonies are long and complex. His music composition helps to define contemporary musical radicalism that took dissonant, modulation without preparation, and complicated harmony as well. (lebih…)
